【一切的失敗和不足,都是最美好的安排】
All Failures & Lacks Are The Best Things to Happen to Us
三個月前,收到來自台灣客人的這封電郵時,開心和心酸交織著在心裡。
開心,因為這是一年前通過Zoom視訊的客人。他居然在我們看八字的一週年,特地寫了封感謝函給我,真有心!
心酸,因為他寫在電郵裡的低落心情,我完完全全明白。
他的經歷,是我的曾經。我當初也是很難,很久才能走出來。
有一回,我為一位芳華正茂的女子批八字時,她很用心的寫下我說的話。
論寫筆記的完整,她是我客人當中的佼佼者。
寫到一半,我注意到她的右手開始微微顫抖。我以為是空調的風太大了,冷到她,便問她要不要披巾。
她說,是她的焦慮症發作。
「我沒在兇你,也沒對你嚴厲,你為何突然焦慮?」
「我.....打從今年疫情打亂了我的計畫,我就一直很焦慮。我覺得我很沒用,同學們都前進了,只有我現在什麼都不是,亂糟糟的。我就一直很緊張,萬一我一直都是這樣,怎麼辦?」
說著,她眼眶一紅,眼淚像斷了線的珍珠鏈似的灑下來。
我的媽呀!是我的樣子長得很催淚,還是我的聲音聽起來很虐心?怎麼客人,不分男女老少,東南西北,看到我好像都很容易哭?
我抓起一張紙巾遞給她。
「所以,我不是來了嗎?你來找我,就是要問個明路,而你很幸運那麼快就看到我啦!你看你的筆記寫得多工整,多齊全。我很多客人都不如你啊!我今天的工作,就是來給你答案的。我沒有把握,也不會接你這份差事。我接了,就代表還可以補救。你照著我的指示去做,一定柳暗花明又一村。」
又另一回,一位四十多歲的媽媽請我看兒子的八字。
我在批著八字時,這位媽媽點頭認同,然後就聲淚俱下。
我轉頭看著她沈默不語的先生。我說錯了什麼嗎?太太哭成淚人,你怎麼連紙巾也不拿給她啊?
「我是個沒有用的母親,很不稱職的母親。我沒有辦法教好孩子。我很愛他,可是很多時候我都不知道要怎麼做,我就會對他發脾氣,說狠話,過後我又後悔。我忍下來,可是後來還是會一樣!」
我沒打斷她,等她的哭聲逐漸小聲後,我柔柔的說:「我來啦!我坐在你前面了。你已經看到我,就是有辦法了。你知道你自己不行,會去找辦法,就代表你願意去學習做個好媽媽啊!」
我把紙巾遞給她,再說:「不要哭了,要不然,別人看了以為是我不要借你錢,才把你弄得那麼傷心。」
曾幾何時,我們都會以外在所擁有的,來定義自己的人生是否值得自己喜歡。
從原生家庭、樣貌、健康、身型、智力、天賦等,到後來的學歷、友情、事業、財富、婚姻、子女......
哪一樣沒有,而偏偏是我們最想要的,我們就會認定自己失敗的一塌糊塗。
我認為這就是普通教育最大的問題所在。父母老師都是這樣把我們「分門別類」的。值不值得父母疼愛或向親朋戚友炫耀,也離不開那幾點。
久而久之,我們也只會以「成功」來定義自己是否有價值,甚至來衡量自己是否有活下去的勇氣。
我比較喜歡佛法的定義。我們每個人都是一尊佛,六道眾生皆有佛性,只因一時的迷,因此墮落在苦輪不停的輪迴。
可正因為我們有佛性,我們都有無窮無盡的可能。每個人的內在有著很強大的力量,等著我們遇到明師後,去發掘、探索和了解。
而這天生俱來的力量,就是你改命立命的資本。
如果人生順風順水,我們永遠不會想要出離,誤把人間當極樂,所以一定要有苦,我們才會意識到,為什麼我們會在這鬼地方?要怎麼樣才可以離開這鬼地方去到極樂?
反過來,我們都應該感恩自己遇到的挫折,因為從這些苦中,我們才能生出智慧。
沒有一個八字是完美的。一切的失敗和不足,都是最美好的安排,如此你才會有出離心,返本歸源。
_______________________
3 months ago, when I received this email from my Taiwan client, there was this feeling of bittersweetness.
I was happy because this was the client I did a Zoom consultation last June. He sent me this email on the one-year anniversary date of our Zoom call, to express his gratitude. How sweet!
On the other hand, I could relate to the emotional turmoil he felt at that point in his life.
His experience was my past. It also took me a very long time to walk out from my gloominess.
Once, I analysed the Bazi of a very young lady. She was meticulously jotting down notes as I spoke.
Her detailed note-taking skills easily took the top place among my clients.
Halfway through, I noticed her right hand was trembling slightly. I thought it was due to the cold draft from the air conditioning, so I asked if she needed a shawl.
She replied that it was her anxiety disorder acting up.
“I was not fierce or strict with you. What caused your sudden anxiety?”
“I…ever since the pandemic disrupted my plans, I have been in this state of anxiety. I kept feeling useless. All my classmates are progressing expect me. I have nothing to show for and my life is in a mess. I am very anxious. What if I continue to be like this? What am I going to do?”
As she spoke, her eyes turned red and tears started rolling down like a broken strand of pearl necklace scattering onto the ground.
Oh dear! I am beginning to wonder if I have a tear-jerker face or a heart-tormenting voice. Why do my clients, regardless of gender and age, North South or East West, seem to cry easily when they see me?
I grabbed a piece of tissue and handed it to her.
“Ain’t I here already? You came to me for a roadmap and you are very lucky to see me so soon. Look at how precise and neat your notes are! Many of my clients aren’t even on par with you. My job today is to give you answers. If I didn’t have the confidence, I would not have taken up your request. Now that I did, that means there is still hope. If you follow my instructions, you will see things looking up very soon.”
On another occasion, a mother in her forties came to me for her son’s Bazi consultation.
As I was analysing, the mother nodded her head in agreement. The next thing I know, she started weeping loudly.
I turned to look at her husband, who had been silent all along. Did I say something wrong? And hello, your wife was crying. Why weren’t you gentleman enough to give her a tissue paper?
“I am a useless mother. I am incompetent. I do not know how to teach my son well. I love my son very much. But many times, I do not know what to do and thus I flare up at him and speak harshly. I always regret afterwards. I tried enduring but it still ends badly!”
I did not interrupt her and waited for her cries to soften, before speaking gently, “I’m here! I’m already sitting in front of you. You are looking at me now and that means help is here. You know that you are incompetent, so you went looking for solutions. That means you are willing to learn how to be a better mother!”
I handed a piece of tissue and said, “Don’t cry anymore, otherwise, other patrons will think that it’s because I refuse to lend you money.”
Since young, we have been using external possessions to define whether our lives are worth liking.
The family we are born into, our looks, health, body shape, intellect, talents, and then we move on to compare our academics, friendships, career, wealth, marriage and children.
If we are lacking in the area we covet most, we grade our lives as a failure.
I think this is the biggest problem in societal education. Our parents and teachers categorized us that way. Whether we as children are worthy of their love and bragging, depends on the few points above too.
Thus over time, we can only use the term “success” to determine whether we are of value, for some people, whether they should live on to take their next breath.
I very much prefer the definition in Buddhism. We are all Buddhas. Each and every sentient being in the six realms has a Buddha nature in them. But they got lost momentarily and fell into the endless wheel of reincarnation.
Yet, because of our Buddha nature, we have an unlimited source of potential. Every one of us has a very powerful strength inside us. It is just waiting for us to meet an accomplished teacher, so that we have the tools to explore and understand it:
And this strength that we are born with is the capital for us to transform and establish our own destiny.
If life is smooth-sailing, we would never want to leave and would mistake this mortal realm for Pureland. Thus, we all need sufferings, to realise that we should break out of this hell of a place. There has to be a better world somewhere. So how we get there?
We should, in fact, be grateful for all the setbacks and failures we have. Because it is from these sufferings, our wisdom arise:
No single Bazi is perfect. Every failure and lack we experience is the best arrangement for us, so that the heart of renunciation will arise in us and we will return to where we came from.
同時也有35部Youtube影片,追蹤數超過29萬的網紅超認真少年Imserious,也在其Youtube影片中提到,此片為 YouTube Shorts 短影片 什麼是Shorts? ⬇ https://support.google.com/youtube/answer/7568166?hl=zh-Hant ➡️訂閱我們 ➡️ https://pse.is/Q26YB 【超認真少年FB】https://www....
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how to move to taiwan 在 Facebook 的最佳解答
Thanks TaiwanPlus report the news about transnational same sex marriage is illegal till now in Taiwan. (Start at 9:30)
We know this situation is ridiculous, as lawyer Hsu said, how can the people accept you can get marriage with American, but Japanese, I think no any heterosexual people can accept that, but it’s running in Taiwan same sex marriage.
I always remember when 17th May 2019, the raining day in Taipei, we all transnational gay couples stay outside the Taiwanese Legislature. The sky is shining real rainbow, everyone are acclaiming, but we are crying with holding the notice board which writing the slogan telling people we can’t get marry, please help us.
Tears without voice, we are fighting our human right till now, we get married, but I can't accept we are the only case, it is not fair to everyone, to every transnational same sex couples.
If my friends know the foreign media, please pass this new to them, let the world know how ridiculous in Taiwan’s same sex marriage situation, how the Ministry of the Interior force people be broken up because the nations.
how to move to taiwan 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
how to move to taiwan 在 超認真少年Imserious Youtube 的精選貼文
此片為 YouTube Shorts 短影片
什麼是Shorts? ⬇
https://support.google.com/youtube/answer/7568166?hl=zh-Hant
➡️訂閱我們 ➡️ https://pse.is/Q26YB
【超認真少年FB】https://www.facebook.com/Imseriou
【工業技術交流平台】https://www.facebook.com/groups/imseriou
【熱門影片】
「空壓機」-基礎示範教學,原來每個家裡都要買一台空壓機 How to use Air compressor
https://youtu.be/Wghd4LpM6DE
認識CNC基礎教學!開箱德國上億元神獸級CNC! 台中精機【隱形工廠】What's CNC?
https://youtu.be/KZ0lIzlYHw4
五金行連女兒都賣?台灣五金行攻略 Taiwan Hardware Store
https://youtu.be/_Y0jLEeENp8
沒有切不斷的金屬 [電]等離子切割基礎教學plasma cutter
https://youtu.be/DkMWxk3LTzo
1台車床抵6間工廠 車床基礎介紹 傳統車床 CNC 自動化整合 Taiwan lathe history (traditional lathe , CNC, DMG MORI )
https://youtu.be/60u4TepzKlo
how to move to taiwan 在 Keith KK Youtube 的最佳貼文
Hi! I am Keith, a guy from Taiwan.
I was a hair dresser and now being Youtuber.
-
Subscribe now! https://reurl.cc/qmgvZR
-
My Instagram
http://www.instagram.com/keithtseng
-
Time mark
0:00 intro
1:10 how to apply this visa
6:54 how I extend my visa
10:08 enter UK during COVID
how to move to taiwan 在 朱學恒的阿宅萬事通事務所 Youtube 的最佳解答
不看不知道,一看嚇一跳,在台灣極缺疫苗,有企業願意出來幫忙拯救人命時,我國政府第一個想到的是透過外媒,扭曲事實真相,把功勞歸在自己身上,把陰謀栽在對方身上。
時代雜誌這一篇,在郭台銘和台積電聯手進了總統府之後,我國政府立刻放話說是政府徵召台積電和富士康(請注意,還刻意把台積電放在前面),然後內文還強調郭台銘之前選過總統?!這不就是暗示他有政治動機嗎?有哪一個在台灣看新聞看報導的路邊的狗會覺得當時都是蔡政府徵召民間單位?事實上就是民間單位主動申請主動爭取,還被擋了好幾十天啊!
問題是當時已經死了六百多人,政府在對國際媒體放話時,考慮的還只是政治鬥爭?這是甚麼樣的司馬昭之心,相信連路邊的狗都看得出來啊!
內容還說這是台灣政府從去年開始努力爭取bnt疫苗的一環,環個屁啦,從林全要買三千萬劑開始擋起結果一劑都買不到這叫做努力?
【Taiwan Recruits TSMC, Foxconn to Secure BioNTech Vaccines】
https://time.com/6074333/taiwan-recruits-tsmc-foxconn-to-secure-biontech-vaccines/ (這篇有多噁心大家都應該看看)
https://www.reuters.com/business/healthcare-pharmaceuticals/exclusive-taiwans-terry-gou-tsmc-reach-initial-agreements-biontech-vaccines-2021-07-02/
另外路透社這篇就是明顯台灣當局放話,想要歸功於都是德國政府施壓談判之後才成功的。
記者一查證德國外交部不予回應,結果轉移焦點失敗,而且提早曝光很有可能破局的狀況之下,bnt也是不予回應。這種一直在放話,只想要看到破局的目的到底是甚麼,是不是很壞心啦!你有沒有看過這種政府自己弄不到疫苗,民間為了救命來弄,最後政府還要鬥爭民間單位的,丟不丟臉的啊!
這件事情我一定要記錄下來,講清楚,免得之後選舉又被認知作戰說又是中共害的,這裡面就是台灣政府一直放話啊,哪裡看到共產黨?
有很多時候
認知作戰不是只有在中文世界
有很多時候台灣也在做認知作戰
你知道我手上的是時代雜誌在6月18號
發的一篇專稿
請各位看
標題寫什麼
Taiwan Recruits TSMC,
Foxconn to Secure BioNTech Vaccines
給各位3秒看一看記住
123好
你知道這真的很妙
這個我們以前常就是偷龍轉鳳
就是名詞替換
各位如果你認為過去兩個月的時間
Foxconn TSMC而且請注意
在這個裡面TSMC排在Foxconn前面
T排在F前面表示這個東西不是照字母順序
而是他認為TSMC佔比較重的比例
看了過去兩個月的新聞
你怎麼會覺得是政府徵召TSMC
徵召Foxconn
how is that possible怎麼可能
你當我們都瞎了嗎
你看這篇文章寫的
真是太妙了
我懷疑這是一個平行世界
我唸第一段就好了
Taiwanese President Tsai Ing-wen
expanded efforts to buy vaccines
from Germany’s BioNTech Friday,
meeting with leaders of
two tech giants in an attempt
to reach a deal hindered by complications
involving China
我想說是不是
我今天這一個罪刑可能更重了
我揭穿台灣政府對時代雜誌的大外宣
你請這位記者去問問全台灣民眾
到底是哪來的膽子變成是
台灣政府徵召台積電跟富士康
來購買BNT疫苗
我再唸第二段
The attempt to recruit high-profile
intermediaries represents the government’s
latest move in long-running efforts
to buy vaccines from BioNTech
光這一句我就想說蛤
這是中華民國政府從去年以來的
購買BNT疫苗的努力之一環嗎
是他們主動徵召富士康跟TSMC
我怎麼知道的完全不一樣
去年10月是我國政府拒絕了林全的
東洋所買的3千萬劑BNT
是我國政府拒絕
10月拒絕12月拒絕
最後從3千萬劑砍到200萬劑
人家不爽賣
然後你說這是中華民國政府一直努力要做的
你知道各位你務必要去查這一份資料
而且這一篇有明顯的偏見
你看它的段落最後一段
Gou, who launched and then abandoned
a presidential campaign in 2019,
offered earlier this month to step
in to help with the government’s vaccine efforts
So far he hasn’t come up with any concrete results
我真希望知道底下的協力者是誰
他最後寫的
With assistance from Miaojung Lin,
Cindy Wang and Debby Wu
我這樣講有眼睛的人都知道
郭台銘沒有
come up with any concrete results
就是沒有實際的結果
是因為政府阻饒啊
你這個意思暗示說郭台銘空口說白話嗎
我整個看不出來到底怎麼寫
時代雜誌這一篇
就很明顯是台灣的大外宣
告訴大家說我台灣政府好棒棒
我努力了那麼多
最後我釜底抽薪
我把台積電跟郭台銘富士康叫來
請他們幫忙去買疫苗
這跟現實生活差多少
這是路透社幾天前寫的報導
Another source said the German government,
which has said it was trying to help Taiwan
obtain the BioNTech vaccines,
had been trying to speed up the talks
“The German government doesn’t
want to leave the impression
請注意這一段是引用的就是那一個
消息來源說的
“The German government doesn’t
want to leave the impression
that they didn’t sell vaccines to
Taiwan due to the Chinese pressure,
so it has been pushing the company
to speed up its talks with Taiwan,”
the source said, referring to BioNTech
好啦這個消息來源講說
我告訴你德國政府很幫我們
他們有施壓BioNTech讓他們加速跟我們的談判
The German Foreign Ministry declined to
immediately comment
結果記者拿這個東西去問德國外交部
德國外交部說我們不予評論
這不就我國外交部一直在唬爛的東西
說我們跟德國關係很好
德國有幫我們
但是6月3號德國駐台代表
也就是德國在台協會的處長王子陶
Thomas Prinz有講
我們注意到近來關於疫苗取得的爭議
請相信德國政府
特別是聯邦經濟部部長Altmaier本人
對於台灣與BioNTech間持續的溝通協調
盡了好一番努力
然而契約簽訂與否與條件
並非在政府的掌控下
而是取決於契約雙方
倘若契約雙方能夠達成共識
聯邦政府自然樂見其成
你看台灣這邊在對路透放話
說什麼我們跟德國關係很好
德國有幫我們
德國外交部不回應
而且6月3號的時候德國駐台代表
就等於駐台大使就講了
契約雙方能夠達成共識
聯邦政府自然樂見其成
然而契約簽訂與否與條件
並非在政府的掌控之下
你看這就是餵的啊
這就是餵的消息你知道
我今天覺得
你疫苗都還沒有進來
然後你就急著在那邊搶功
急著在那邊收割
這個就是假新聞
這個就是餵養消息
德國人的意思是
私人企業要簽合約是你們兩造的事
成不成要看契約雙方政府不能介入
結果你硬是把這個東西扭曲成說
德國政府希望大家趕快加快談判
那加快談判是什麼意思
加快談判就政府介入啊
政府介入是怎麼樣
是要讓他成功還是讓他失敗
我覺得這個東西太糟糕
郭台銘今天早上自己發布了聲明
特別強調路透引述的那個報導說
郭台銘已經跟BNT和上海復星
簽署了購買疫苗的初步協議
郭台銘四日他的辦公室直接回應
轉載國際媒體無法證實的消息來源
請注意這是路透社轉載國內的消息
國內的深喉嚨跟他講的
這是出口轉外銷
出口轉外銷之後又轉內銷
郭台銘說轉載國際媒體無法證實的消息來源
可能妨害台灣取得疫苗的時程
呼籲勿臆測BNT疫苗採購進度
要大家別上當
你看到底是誰案子不確定的時候就想要收割
就想要收割說我好棒棒
我跟德國關係很好 是誰嘛
看看林昶佐你不會覺得這動作很像是
綠營農耕隊的作風嗎
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